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Other Voyages > Word Gallery

This word gallery features quotes from various sources as well as poetry

Copyright law limits me from quoting contemporary work without permission, but I have secured permission to use a few.  To see a bibliography of those under copyright (Graham, Frost, Elliot), click here and read them in your own anthologies.   Please consider purchasing the full book if what is displayed here resonates with you as well.  All of the poetry is in the public domain.  

To use this section, after each author's name, the opening lines are presented in an introductory section.  You can jump to the full quote by clicking on the highlighted words.  

I hope you enjoy and are inspired.  



Quotes

Dennis Chernin

Pema Chodron

Montaigne

Sharon Salzberg



Dennis K. Chernin
The benefits of meditation can be understood by the following analogy. The human mind is like the ocean, the conscious mind representing the surface of the sea and the innumerable fluctuations of though and emotion representing the ocean waves. Lying beneath the surfaced is the unconscious mind, analogous to the deep and submerged ocean expanse. The turbulence of thought waves obscures the depths of knowledge underneath the conscious mind in a similar way that ocean waves make it impossible to see beneath the ocean surface. The process of meditation calms the tumultuous ebb and flow of the mind’s outer layer of wave activity like a calm day quiets the ocean surface. Unconscious repression and habits deep within the mind are allowed to rise to the surface to be observed, in a similar way that bubbles and currents rise and dissipate on the ocean surface. Since no energy is supplied to suppress them, the bubbles gently burst and dissipate. The dispassion averts the creation in the unconscious of further increased psychological pressure that can produce exaggerated emotional reactions, like tidal waves in the ocean. The conscious mind becomes quiet and still, and the deeper mysterious layers of the unconscious can be observed and experienced, similar to the way the ocean depths become visible on a calm, wind-free day. Finally, the individual, separate self merges with universal consciousness, like a wave that merges with the great ocean expanse.
Dennis K. Chernin, How to Meditate (Ann Arbor: Cushing-Malloy, 2002) pp. 34-35.

Pema Chodron
Life’s work is to wake up, to let things that enter into the circle wake you up rather than put your to sleep. The only way to do this is to open, be curious, and develop some sense of sympathy for everything that comes along, to get to know its nature and let its nature and let it teach you what it well. “
Pema Chodron, The Wisdom of No Escape (Boston: Shambhala Publications, 2001) p. 32.

Pema Chodron
Both the brilliance and the suffering are here all the time; the interpenetrate each other. For a fully enlightened being, the difference between what is neurosis and what is wisdom is very hard to perceive, because somehow the energy underlying both of them is the same.
Pema Chodron, The Wisdom of No Escape (Boston: Shambhala Publications, 2001) p. 21.

Pema Chodron
Resenting what happens to you and complaining about your life are like refusing to smell the wild roses when you go for a morning walk, or like being so blind that you don’t see a huge black raven when it lands in the tree you’re sitting under….Resentment, bitterness, and holding a grudge prevent us from seeing and hearing and tasting and delighting.
Pema Chodron, The Wisdom of No Escape (Boston: Shambhala Publications, 2001) p. 25.

Pema Chodron
In vajrayana Buddhism it is said that wisdom is inherent in emotions. When we struggle against our energy we reject the source of wisdom. Anger without fixation is none other than clear-seeing wisdom. Pride without fixation is experienced as equanimity. The energy of passion when it’s free of grasping is wisdom that sees all the angles.
In bodhichitta training we also welcome the living energy of emotions. When our emotions intensify, what we usually feel is fear. This fear is always lurking in our lives. In sitting meditation we practice dropping whatever story we are telling ourselves and leaning into the emotions and the fear. Thus we train in opening the fearful heart to the restlessness of our own energy. We learn to abide with the experience of our emotional distress.
Pema Chodron, The Places That Scare You (Boston: Shambhala Publications, 2001) p. 29.

Montaigne
We must learn to endure what we cannot avoid. Our life is composed, like the harmony of the world, of contrary things, also of different tones, sweet and harsh, sharp and flat, soft and loud. If a musician liked only one kind, what would he have to say? He must know how to use them together and blend them. And so we must do with good and evil, which are consubstantial with our life. Our existence is impossible without this mixture, and one element is no less necessary for it than the other. To try and kick against natural necessity is to imitate the folly of Ctesiphon, who undertook a kicking match with his mule.
Michel de Montaigne, The Complete Essays of Montaigne. Trans. Donald M. Frame (Stamford: Stanford University Press, 1943) p. 835.

Sharon Salzberg
When we take the time to be quiet, to be still, we begin to see the web of conditions, which is the force of life itself, as it comes together to produce each moment. When we look deeply, we see constant change; we look into the face of impermanence, insubstantiality, lack of solidity. As the Buddha pointed out, given this truth, trying to control that which can never be controlled will not give us security or safety, will not give us final happiness. In fact, trying to control ever-changing and insubstantial phenomena is what gives rise to our sense of isolation and fragmentation. When we try to hold on to something that is crumbling or falling apart, and we see that not only is it crumbling but we are changing in just the same way, then there’s fear, terror, separation and a lot of suffering.

If we re-vision our world and our relationship to it so that we are no longer trying to fruitlessly control but rather are connecting deeply to things as they are, then we see through the insubstantiality of all things to our fundamental interconnectedness. Being fully connected to our experience, excluding no aspect of it, guides us right through to our connectedness with all beings. There are no barriers; there is no separation. We are not standing apart from anything or anyone. We are never alone in our suffering and we our not alone in our joy, because all of life is a swirl of conditions, a swirl of mutual influences coming together and coming apart. By going to the heart of any one thing, we see all things. We see the very nature of life.
Salzberg, Sharon. “Becoming the Ally of All Beings.” Shambala Sun, January 2003, p. 51.

Sharon Salzberg
Desire is call the “near enemy” of metta [loving-kindness]. Because it can fell so similar, it can masquerade as metta – until it reaches its limit. But metta is boundless. It is open and freely given. Metta does not create a duality between subject and object; it does not try to control and hold on; it is not subject to the same fears and frailties of betrayal. Metta is based on desirelessness.
Desirelessness – detachment – is not a cold, hard state in which we do not care what is going on. The opposite of attachment is not sullen withdrawal from things or an attitude of indifference. It is very full, very alive and very open. The energetic manifestation of desirelessness is love….We must understand the nature of our struggle, and how to make our experience of life and death all right. To relinquish the futile effort to control change is one of the strengthening forces of true detachment, and thus true love.
Sharon Salzberg, Loving Kindness (Boston: Shambhala Publications, 2002) pp. 56-57.



Poetry

Lord Byron                   Don Juan, Second Canto, excerpt
Lord Byron                   Childe Harold’s Pilgrimage, excerpt
Emily Dickenson          #967 Pain-expands the Time
Emily Dickenson          #1287 In this short Life
Moschus                      The Ocean
Pablo Neruda                First Movement
Pablo Neruda                To Search
Pablo Neruda                I want to know if you come with me
Ovid                             The Amores, excerpt
Rainer Maria Rilke         Letter to a Young Poet, excerpt
Percy Bysshe Shelley   Ode to the West Wind, excerpt



Don Juan
Second Canto 183 – 6
By George Gordon, Lord Byron

It was the cooling hour, just when the rounded
Red sun sinks down behind the azure hill,
Which then seems as if the whole earth it bounded,
Circling all nature, hush’d, and dim, and still,
With the far mountain-crescent half surrounded
On one side, and the deep sea calm and chill,
Upon the other, and the rosy sky,
With one star sparkling through it like an eye.

And thus they wander’d forth, and hand in hand,
Over the shining pebbles and the shells,
Glided along the smooth and harden’d sand,
And in the worn and wild receptacles
Work’d by the storms, yet work’d as it were planne’d.
In hollow halls, with sparry roofs and cells,
They turn’d to rest; and, each clasp’d by an arm,
Yielded to the deep twilight’s purple charm.

They look’d up to the sky, whose floating glow
Spread like a rosy ocean, vast and bright;
They gazed upon the glittering sea below,
When the broad moon rose circling into sight;
They heard the waves splash, and the wind so low,
And saw each other’s dark eyes darting light
Into each other – and beholding this,
Their lips drew near, and clung into a kiss;

A long, long kiss, a kiss of youth, and love,
And beauty, all concentrating like rays
Into one focus, kindled from above;
Such kisses as belong to early days,
Where heart, and soul, and sense, in concert move,
And the blood’s lava, and the pulse a blaze,
Each kiss a heart-quake, - for a kiss’s strength,
I think it must be reckon’d by its length.

Childe Harold’s Pilgrimage
Canto IV Stanza 179 lines 1-4
By George Gordon, Lord Byron

Roll on, thou deep and dark blue ocean – roll!
Ten thousand fleets sweep over thee in vain;
Man marks the earth with run – his control
Stops with the shore; - upon the watery plain.

#967
by Emily Dickenson

Pain-expands the Time-
Ages coil within
The minute Circumference
Of a single Brain –

Pain contracts – the Time –
Occupied with Shot
Gamut of Eternities
Are as they were not-

#1287
by Emily Dickenson

In this short Life
That only lasts an hour
How much – how little – is

The Ocean
By Moschus (translated from Greek by Percy Bysshe Shelley)
3rd century B.C.

When winds that move not its calm surface sweep
The azure sea, I love the land no more;
The smiles of the serene and tranquil deep
Tempt my unquiet mind. – But when the roar
Of Ocean’s gray abyss resounds, and foam
Gathers upon the sea, and vast waves burst,
I turn from the drear aspect to the home
Of earth and its deep woods, where intersperst,
When winds blow loud, pines make sweet melody.
Whose house is some lone bark, whose toil the sea,
Whose prey the wondering fish, an evil lot
Has chosen. – But my languid limbs will fling
Beneath the plane, where the brook’s murmuring
Moves the calm spirit, but disturbs it not.

First Movement
by Pablo Neruda

Hour by hour, the day does not pass,
it passes sadness by sadness:
time does not wrinkle,
it doesn't run out:
sea, the sea says,
without rest
earth, the earth says:
man waits.
And only
his bell
rings above the others
keeping in its emptiness
the implacable silence
that will be parceled out when
its metallic tongue rises, wave after wave.

Once I had so much,
walking on my knees through the world:
here, naked,
I have nothing more than the stark noon
of the sea, and one bell.

They give me their voice to feel the pain
and their warning to stop me.

This happens to everybody:
space goes on.

The sea lives.

The bells exist.

To Search
By Pablo Neruda

From the dithyramb to the root of the sea
stretches a new kind of emptiness:
I don’t want much, the wave says,
only for them to stop their chatter,
for the city’s cement beard
to stop growing:
we are alone,
we want at last to scream,
to pee facing the ocean,
to see seven birds of the same color,
three thousand green gulls,
to see out love on the sand,
to break in our shoes, to dirty
our books, our hat, our mind
until we find you, nothing,
until we kiss you, nothing,
until we sing you, nothing,
nothing without nothing, with being
nothing without putting an end
to truth.

I want to know if you come with me
By Pablo Neruda

I want to know if you come with me
toward not walking and not speaking, I want
to know if we finally will reach
no communication: finally
going with someone to see pure air,
rays of light over the daily sea
or a landbound object
and finally having nothing
to trade, without goods to furnish
as the colonizers had,
exchanging coupons for silence.
here I purchase your silence.
I agree: I give you ine
with one provision: that we not understand each other.

The Amores
By Ovid Book 1: 2 lines 1-20

What’s wrong with me nowadays, how explain why my mattress
Feels so hard, and the bedclothes will never stay in place?
Why am I kept awake all night by insomnia, thrashing around ‘till
Every weary bone in my body aches?
If Love were my assailant, surely I’d know it – unless he’s
Craftily gone under cover, slipped past my guard?
Yes, that must be it: heart skewered/by shafts of desire, the raging
Beast, passion, out at prowl in my breast.
Shall I give in? To resist might just bank up the furnace –
All right, I give in. A well-squared load lies light.
Flourish a torch, it burns fiercer. I know, I’ve seen it. Stop the
Motion, and pouf! it’s out.
Yoke-shy rebellious oxen collect more blows and curses
Than a team that’s inured to the plough.
Your restive horse earns a wolf-curb, his mouth’s all bruises;
A harness broken nag scarcely feels the reins.
It’s the same with Love. Play stubborn, you get a far more thorough
Going over than those who admit they’re hooked.
So I’m coming clean, Cupid: here I am, your latest victim,
Hands raised in surrender. Do what you like with me.

Letter to a Young Poet.
By Rainer Maria Rilke’s
August 12, 1904

We, however, are not prisoners. No traps or snares have been set around us, and there is nothing that should frighten or upset us. We have been put into life as into the element we most accord with, and we have, moreover, through thousands of years of adaptation, come to resemble this life so greatly that when we hold still, through a fortunate mimicry we can hardly be differentiated from everything around us. We have no reason to harbor any mistrust against our world, for it is not against us. If it has terrors, they are our terrors; if it has abysses, these abysses belong to us; if there are dangers, we must try to love them. And if only we arrange our life in accordance with the principle which tells us that we must always trust in the difficult, then what now appears to us as the most alien will become our most intimate and trusted experience. How could we forget those ancient myths that stand at the beginning of all races, the myths about dragons that at the last moment are transformed into princesses? Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.

Ode to the West Wind
Part III
By Percy Bysshe Shelley

Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lulled by the coil of his crystalline streams,

Beside a pumice isle in Baiae’s bay,
And saw in sleep old palaces and towers
Quivering within the wave’s intenser day,

All overgrown with azure moss and flowers
So sweet, the sense faints picturing them! thou
For whose path the Atlantic’s level powers

Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know

Thy voice, and suddenly grow gray with fear,
And tremble and despoil themselves; O hear!



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